Assassin's Creed, is a Historically, Graphically powerhoused Masterpeice. With pleny of Stealth and Brute Strengh.
Once the real action gets going, you'll wander a huge open world – three massive cities and the connecting countryside. It's a strange mix of meticulous historical recreation and totally open level design. Climbing and leaping can get you to almost any place in the world – usually by any number of different paths. Hero Altaïr is as much ninja as medieval warrior as he goes about the grim business of hunting down evil men who are oppressing the people of the Holy Land. Rarely has a character without superpowers or magic been quite so powerful and exciting to vicariously inhabit, whether he's perching on a high tower of the Acre Cathedral or countering the blows of a Templar knight.
With its intuitive puppeteering button scheme, there's a fundamental shift in play control at work. Where most games are primarily concerned with the question "Where do you want to go?", Assassin's Creed puts equal weight on "How do you want to get there?". By designating all actions as high or low profile, movement becomes less about individual button presses and more about situational observation. Further, each face button is like a part of the body that changes contextually to match the situation. In a fight, your open hand button might grab a foe, but when running along rooftops the same button will reach for a distant ledge. While seemingly a minor variation on a familiar theme, this approach to control is one of the game's greatest triumphs.