The Shape is in a Trance by Thurston by Thurston Moore
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[QUOTE="LJS9502_basic"]I can think of a few I prefer....A_TarkovskyCare to share?
I don't think he's into the whole... sharing thing ;) :P JK
I'd say the intro to Apostle In Triumph is fantastic, even though its actually the end part to the song before it.
Beethoven's FifthA_Tarkovsky
Hmm... but it doesn't really have an intro at all. It starts bang on with the famous first theme, unless you feel that the opening two statements of the primary motive are not connected to what comes immediately after it (certainly a possible interpretation). I think the most powerful introduction to a work I have ever encountered is the opening of Brahms's first symphony. Within the first few seconds, he paints a scene of utter dispair that will not be conquered until the end of the last movement. The symphony's intro lasts until the 3:00 (not including the 30 seconds of pre-performance stuff) mark in this recording - longer than many complete songs:
http://www.youtube.com/watch?v=S_BVvT_P880
If it means anything, Brahms's work bears many similarities to Beethoven's 5th. Much to Brahms's chagrin, his first symphony was often called Beethoven's 10th. ;)
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