Pro Pianists, questions/advice

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lone_wolf911

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#1 lone_wolf911
Member since 2005 • 6347 Posts

I am currently learning this peice:

http://www.sheetmusicarchive.net/compositions_b/poln53.pdf

http://youtube.com/watch?v=KZGi49Bnghs

What is a better way to progress at a hard song? So far I'm progressing slowly, and I'm not a very patient guy.

Is it better to get familiar with seperate hands, and then play both hands, or play both hands really slowly?

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staindcoldlp

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#2 staindcoldlp
Member since 2004 • 15121 Posts

Well, there are two different ways of going into it.

1. You can try practicing with both hands separately, and then try putting them together through out the whole piece.

2. Take sections of the music out and practice the hell out of those. Take say two measures and make sure you get them clean and flawless. Then move onto another two measures or whatever feels comfortable for you.

I prefer method one that I said, but my piano teacher said that method number two always worked for him.

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lone_wolf911

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#3 lone_wolf911
Member since 2005 • 6347 Posts
aha, guess there arent alot of pianists in gamespot?
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Caffeine_Trip

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#4 Caffeine_Trip
Member since 2006 • 3390 Posts
aha, guess there arent alot of pianists in gamespot?lone_wolf911
pianist is a pianist, but I don't think he's online now.
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GoodContributor

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#5 GoodContributor
Member since 2007 • 872 Posts
go slow and count each beat, 1+2+3+4+ yes do count the + they are important! practice measures with sharps and flats separately. try to not strech alot or you could injure yourself (try staying 5 keys / 5 fingers). and don't learn both parts separtely. that'll basiclaly become a habit and retard your progress. learn to sight read slowly. but one thing you can try (which helps me a lot is) play the piece once withouht caring about the rhythm just get all the notes dead on. then play it again but with strict rhythm and don't worry about sour notes.
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lone_wolf911

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#6 lone_wolf911
Member since 2005 • 6347 Posts
go slow and count each beat, 1+2+3+4+ yes do count the + they are important! practice measures with sharps and flats separately. try to not strech alot or you could injure yourself (try staying 5 keys / 5 fingers). and don't learn both parts separtely. that'll basiclaly become a habit and retard your progress. learn to sight read slowly. but one thing you can try (which helps me a lot is) play the piece once withouht caring about the rhythm just get all the notes dead on. then play it again but with strict rhythm and don't worry about sour notes.GoodContributor
one problem, this peice is 10 pages
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pianist

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#7 pianist
Member since 2003 • 18900 Posts
That is one of Chopin's most difficult polonaises.  What specifically are you having difficulty with, and how long have you been working on the piece?

Frankly, you should be studying with an instructor who can recommend effective methods of dealing with this piece.  Providing advice over the internet is more or less impossible, because I have no information about you whatsoever.  I don't know what your technical weaknesses are, I don't know what your previous background is, and most importantly, I can't hear what you sound like.  And so, the best I can do is suggest that you continue your slow work on the piece (start hands separately, then combine the hands after each feels comfortable on its own, always at a speed that makes it possible to play with total ease), and that you really should be working on this with a qualified instructor IN PERSON.
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GoodContributor

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#8 GoodContributor
Member since 2007 • 872 Posts
[QUOTE="GoodContributor"]go slow and count each beat, 1+2+3+4+ yes do count the + they are important! practice measures with sharps and flats separately. try to not strech alot or you could injure yourself (try staying 5 keys / 5 fingers). and don't learn both parts separtely. that'll basiclaly become a habit and retard your progress. learn to sight read slowly. but one thing you can try (which helps me a lot is) play the piece once withouht caring about the rhythm just get all the notes dead on. then play it again but with strict rhythm and don't worry about sour notes.lone_wolf911
one problem, this peice is 10 pages



same thing, 1 page 10 page.  try improvising in that key so you can be solid what's what, play all the scales at sixteeth note paces.  should be good enough
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lone_wolf911

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#9 lone_wolf911
Member since 2005 • 6347 Posts

i started this 4 days ago, i play play the whole first page ok, the second page is how far i got so far

my friend who is also a pianist told me to play the whole peice just playing the notes, but what i do is learn page by page, is that bad?

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lone_wolf911

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#10 lone_wolf911
Member since 2005 • 6347 Posts

That is one of Chopin's most difficult polonaises.  What specifically are you having difficulty with, and how long have you been working on the piece?

Frankly, you should be studying with an instructor who can recommend effective methods of dealing with this piece.  Providing advice over the internet is more or less impossible, because I have no information about you whatsoever.  I don't know what your technical weaknesses are, I don't know what your previous background is, and most importantly, I can't hear what you sound like.  And so, the best I can do is suggest that you continue your slow work on the piece (start hands separately, then combine the hands after each feels comfortable on its own, always at a speed that makes it possible to play with total ease), and that you really should be working on this with a qualified instructor IN PERSON.
pianist
my friend in school (who is a fan of listz), says im to tense, and can't play octaves relaxed enough, so my weaknesses are playing octaves fast + relaxed, playing arppegios fast

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GoodContributor

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#11 GoodContributor
Member since 2007 • 872 Posts

i started this 4 days ago, i play play the whole first page ok, the second page is how far i got so far

my friend who is also a pianist told me to play the whole peice just playing the notes, but what i do is learn page by page, is that bad?

lone_wolf911


yep play the whole thing all the way through at a snail's pace so you can get a feel for how the whole things is singular
but i shouldn't be giving advice i don't play this kind of music!
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lone_wolf911

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#12 lone_wolf911
Member since 2005 • 6347 Posts
[QUOTE="lone_wolf911"]

i started this 4 days ago, i play play the whole first page ok, the second page is how far i got so far

my friend who is also a pianist told me to play the whole peice just playing the notes, but what i do is learn page by page, is that bad?

GoodContributor


yep play the whole thing all the way through at a snail's pace so you can get a feel for how the whole things is singular
but i shouldn't be giving advice i don't play this kind of music!

LOL, good advice though, but i wont do it :P
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crucifine

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#13 crucifine
Member since 2003 • 4726 Posts
I only took piano for three years.  Only got up to Fur Elise.  Then I became...distracted.  I might try to learn again.
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pianist

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#14 pianist
Member since 2003 • 18900 Posts
my friend in school (who is a fan of listz), says im to tense, and can't play octaves relaxed enough, so my weaknesses are playing octaves fast + relaxed, playing arppegios fast

lone_wolf911

Learning to play chords/octaves with relaxation is one of the primary challenges any pianist faces. This is not something I would attempt to instruct over the internet. Again, you need to be studying with a qualified instructor. But I can give you some general insight into tension.

1) The wrist and shoulder are the two places where most people have trouble with tension. Some find the forearm problematic as well. In all instances, tension is caused by muscles being 'seized' in an uncomfortable position. This can be caused by a number of things. For instance, if you sit too low at the piano, you need to raise your shoulders to keep your forearm at an appropriate level, and thus, you will be forced to hold your shoulders up. That's tension. If your posture is inappropriate, you could put yourself in a similar position. Locking your elbows at your sides creates arm tension, as it takes force to maintain this 'safe' position.

2) Tension is cascading. Muscle fatigue in one part of your body usually leads to tension in other places over time. It is often difficult to isolate the initial cause of the tension. For example, if you lean too far forward when you play, your elbows will be pushed out, and your shoulders will have to hold up additional weight. As they become fatigued, your shoulders will drop, and your elbows will fall into your body, which will raise your wrists, creating tension there. And so in this case, wrist tension was the result of leaning forward with your torso.

3) If your wrist spends too much time in its attack position, that creates tension as well. This can be caused by a wide variety of things, but the three most common causes are failure to fully release the wrist to its resting position after an attack, employing wrist gestures that are unnecessarily large, and tension in the hand related to inefficient finger adjustments from one chord to the next. This latter cause is itself often the result of lack of familiarity with the music. The more rapidly the fingers need to 'find' the notes, the more tension is created, and thus if you are adjusting from one chord to another too quickly (caused by starting the adjustment too late), you will create unwanted tension.

4) As you can probably see, there are far too many variables that lead to tension that would allow me or anyone else to tell you what you need to do differently without seeing you and coaching you in person. For the same reason, I can not recommend any specific practice techniques, as different forms of tension require different approaches, and every student has a unique set of needs.

5) You can learn to play the wrong way, which makes tension feel normal, and ironically, it will then feel 'wrong' to play the right way. I suspect this has probably happened to you already, especially if you have been working on other difficult repertoire. So you'll have to learn to recognize the difference between playing a chord in a relaxed manner and playing it in a tense manner. The difference in sensation is actually very subtle. I imagine you will need to conquer the problem one step at a time, starting with the wrist and working your way up your arm. But you'll need proper guidance to accomplish this. Again, find a competent instructor.

6) Tension not only inhibits your control of tone and your ability to play rapid passages, but can lead to serious permanent injury. It must be dealt with aggressively. It is the cancer of piano playing - if left unaddressed, it can end your career. Again, find a competent instructor ASAP. In the meantime, I would not recommend you practice this piece - and if you do, you should only be doing it slowly. If at any point you feel pain anywhere in your arm, wrist, or hand, stop immediately.

You should also know that the middle octave passage of this work is famous for destroying pianists' careers.  You really shouldn't be playing this if you don't have command over relaxed octave technique.


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pianist

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#15 pianist
Member since 2003 • 18900 Posts

i started this 4 days ago, i play play the whole first page ok, the second page is how far i got so far

my friend who is also a pianist told me to play the whole peice just playing the notes, but what i do is learn page by page, is that bad?

lone_wolf911


Your friend doesn't know what he's talking about. Playing through the entire piece in the early learning stage accomplishes absolutely nothing, unless you're attempting to evaluate the overall form and get a sense of what it's about. For practice purposes you should't be playing pages - you should be playing tiny fragments (such as from the beginning of one of those chromatic scales to the final eighth note) repeatedly, correctly, and with a focused mind that is constantly searching for an easier and more effective way of moving from one note to the next. You should also be acutely aware of the sound you are producing.

The more music you play before stopping to consider what you have accomplished, the less likely it is that you will recall what needs to be fixed and exactly how it sounded, and the slower your progress will be.