Mine is a toss up between classic Star Wars, Lord of the Rings, Gladiator, and The Dark Knight trilogy. I do also love the soundtrack of Donnie Darko, Into the Wild, and 500 Days of Summer.
What about you guys?
This topic is locked from further discussion.
Mine is a toss up between classic Star Wars, Lord of the Rings, Gladiator, and The Dark Knight trilogy. I do also love the soundtrack of Donnie Darko, Into the Wild, and 500 Days of Summer.
What about you guys?
Fun Fact: As John Williams is 83, he let Gustavo Dudamel (conductor of the Los Angeles Philharmonic) handle some of the heavy lifting by conducting several of the pieces used in The Force Awakens. Williams also scored Steven Spielberg's upcoming film.
I do have to say I quite enjoyed Hans Zimmer's music for Interstellar and Inception.
In my view, Hans Zimmer's film scores are excellent. Interstellar's soundtrack is my favorite of his.
I think that John Williams makes great music as well.
I also like Henry Jackman's work for Captain America: The Winter Soldier.
I also liked the Overture from Robin Hood: Price of Thieves. Kinda got diluted when Disney made it their own..... I also loved the soundtrack from Midnight Run when I'm in a blue-collar sort of mood. ;-)
Fun Fact: As John Williams is 83, he let Gustavo Dudamel (conductor of the Los Angeles Philharmonic) handle some of the heavy lifting by conducting several of the pieces used in The Force Awakens. Williams also scored Steven Spielberg's upcoming film.
Huh, that might explain why TFA's soundtrack was so forgetful and uninspired.
Seriously, TFA had such a boring soundtrack for Star Wars, even the prequel movies had amazing soundtracks, but the only times TFA's stood out is when pieces from the older movies played, like when a small sections of the Imperial March played when Vader's melted mask was shown.
@BranKetra: This is an interesting watch on Nolan and Zimmer working on the music for Interstellar. https://youtu.be/HtifWqsON1g
@spike6958: You're not the first to have issues with TFA's music, as I've heard that from several people. I haven't listened to it as closely as I'd like yet, as I've only heard it in the context of the film so far. Something else to do while on break !
@Allicrombie: I like to see film artists dedicated to producing works that influence an audience with a presentation which suggests that a production is not about money, first, then purpose, later. People interested in designing opportunities for a sense of autonomy in that the audience has the choice to interpret a film how they choose, the relatedness of the purpose of a film with other audience members, and appreciating our competence in understanding what is presented are what I think are intrinsic motivators to continue watching films by artists like them.
I think that when someone wants to watch films for the sake of watching them in and of themselves, artists are succeeding at their crafts.
@BranKetra: There's a really interesting read on John Williams and his career in the New Yorker.
http://www.newyorker.com/culture/cultural-comment/listening-to-star-wars?mbid=social_facebook
@Allicrombie: John Williams is a major film industry influence. To have written the scores for Star Wars and Indiana Jones, Superman and some Harry Potter films, E.T., and Jurassic Park as well as other major films leading to dozens of Academy Award nominations shows what people are interested while also representing the quality of his musical scores.
Others have already nominated my top picks (i.e. the John Williams scores), but here are a few others that I thought worthy of mention:
Hans Zimmer's "Time" from Inception
Hans Zimmer's "Gladiator" score
Various Star Trek scores, as in this "medley":
Ennio Morricone For A Few Dollars More... The music is used directly as a form of story-telling with the motif later carrying over to One Upon a Time In The West.. Both are great. but I like Lee Van Cleef's traditional, morally guided hero pairing up with Eastwood's anti-hero, in it for the money.
Ennio Morricone For A Few Dollars More... The music is used directly as a form of story-telling with the motif later carrying over to One Upon a Time In The West.. Both are great. but I like Lee Van Cleef's traditional, morally guided hero pairing up with Eastwood's anti-hero, in it for the money.
YES!!!!
I do have to say I quite enjoyed Hans Zimmer's music for Interstellar and Inception.
iirc he did crimson tide, the rock and gladiator all of which i really liked. i think i still have them floating around on my hd somewhere.
Shawshank Redemption FTW! Thomas Newman is really awesome.
Main Theme
Stoic this one sends chills down my spine, when they fly over the prison, and Andy and the other prisoners are on the bus and roll into the prison.
Newman also did a lot of other really awesome scores to movies, including:
Wall-E
Finding Nemo
American Beauty
He even did a Bond soundtrack! Skyfall
He has quite the portfolio!
For a Few Dollars More
Yep, a great scene. The movie basically hinged on the music, without it, it would be probably like watching paint dry.
Same with Once Upon A Time In The West. it's literally tons of close ups of leathery faced men looking right moody with operatic music kicking in any opportunity possible, in pre-production the characters themes took precedence over the dialogue.
Please Log In to post.
Log in to comment