Battleship Potemkin is a good example of how cinema "matured" into a more narrative form by the 1920s.
I was talking about earlier burlesque cinema which was meant to entertain a largely working-class and "uncultured" audience (not the traditional audience for so-called "high" art:
"For the first two decades of film history, there were few true movie theaters. Films were shown as part of other entertainments: at fairgrounds, public parks, museums, burlesque halls, and vaudeville theaters. So they had to compete with more traditional amusements. This constant competition produced a particular "aesthetics of display," according to Hansen, "of showmanship, defined by the goal of assaulting viewers with sensational, supernatural, scientific, sentimental, or otherwise stimulating sights."
One popular 1895 film that featured a train coming straight out at the audience was such a shocker that viewers were rumored to have panicked. Another, Thomas Edison's Electrocuting an Elephant, simply documented an elephant being led onto an electrified plate and strapped in place. After a minute, smoke rises from its feet and it topples. "The moment of technologically advanced death," notes Gunning, "is neither explained nor dramatized."
from http://magazine.uchicago.edu/9704/9704Film2.html
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