@MrGeezer said:
And again, whatever impact it had on them is their business and their business alone. It's got nothing to do with George Lucas. I could think that fucking Garbage Pail Kids is the most magical thing ever based on personal emotional reasons, but that doesn't mean it's not one shitty movie. By that same token, whatever attachment people had to Star Wars is their own business. George Lucas let them down by ruining the franchise? Well, tough shit. He has zero obligation to respect people's emotional attachments to the franchise. He's a creator, he created, end of obligation. And he didn't even have to do THAT. Hell, he could have left the series on a giant cliffhanger after Empire Strikes Back, and then never touched the series again.
And again, I wasn't talking about Star Wars' impact on pop culture, I was talking about its quality. Sure, Star Wars had a massive effect on pop culture, but to say that it's special because of that is an appeal to popularity. To say that it is more than just a movie just because it's so universally popular is sort of absurd. Lots of things are EXTREMELY popular and yet there's nothing particularly special about the content. And that's the thing...the next Charlie Kaufman or Martin Scorcese film could be 10 times the achievement of Star Wars at its best, but it'll never measure up to the POPULARITY of Star Wars. To argue that Star Wars deserves special entitlement because it has permeated pop culture to such a degree is to argue that popularity entails ownership. There's a disturbing little element here that no one is quite saying but that seems to be on the tips of people's tongues': that Star Wars belongs to the fans. I mean, there are people arguing that Lucas (or I guess Disney now) actually owes us a proper release of the original trilogy, specifically because Star Wars is so culturally significant. Lucas owed us a good prequel trilogy, to the point where people are genuinely upset that the prequels stunk. People owe me the ability to see a new Star Wars movie without having heard spoilers, because seeing Star Wars is supposed to be an extra-magical experience. And as an artist, I find the implications of that kind of entitlement deeply unsettling. In truth, neither quality nor popularity has anything to do with it. Creators create, consumers consume, transaction complete. That doesn't change just because the thing you made caught on and became a big hit.
I've already touched on this, though perhaps I wasn't clear enough about it. I'm not denying that Star Wars is "more than a movie" to you. But that's an internal emotional response. Having an internal emotional response to a work of art does not in any way mean that the rest of society is obligated to accomodate or respect or cater to it. And yes, this is even true when the art in question becomes universally loved. You can hate the prequels more than anything in the world. But those things (and Star Wars in general) have primarily been about making money for about as long as the franchise has existed. Prequels made money, job done. George Lucas held onto the franchise for decades and did whatever the hell he wanted to do with the franchise. Fans complained, George Lucas still did what he wanted and the series still sold like hotcakes. Job done. Hating the prequels is absolutely fine, but the hatred seems to be way more than just "the movies sucked". There seems to be a very real element, even among casual fans, that George Lucas wronged us. And no, no he didn't. An artist made the art that he wanted to make, his business ventures were highly lucrative, and his worked was so entertaining to the world that people kept coming back to it even when they expected it to suck. For an artist, that's like the best fucking case possible. Most artists manage to do, at best, one out of those three things. Maybe two if they're REALLY lucky. To say that the process went wrong with regards to Star Wars is delusional. Sure, you might've hated the prequels, but everything went exactly how it was supposed to, and the people complaining are the same people who kept on buying the shit. Seriously, what the hell is there to complain about here? "But I thought the movies were bad." Yeah, and lots of people think that Joel-Peter Witkin's art is bad. So what? No artist is entitled to critical acclaim or financial success, and no fan is entitled to actually liking anything that any artist makes. This is how art works. You make what you want, then you either get an audience or you don't, then that audience either likes it or they don't. Beyond this, what the hell was anyone actually expecting?
There's two points here we're addressing. I don't necessarily disagree with you on your views of entitlement/owing people anything, with one exception which you're going to love I imagine.
I just take issue with you saying that Star Wars is "not special". You are viewing popularity as being the same as impactful, and while they can be one in the same, they can also be mutually exclusive. It's possible for something to be popular and not hold that much impact in the bigger picture. In Star Wars's case, what impact it has held on people is not solely their business because it's extended so far into our culture. Star Wars is so big that it's become EVERYONE'S business at some point in their lives. You cannot live in America and not know what Star Wars is unless you live under a rock, nor know anything about cinema and be ignorant or it either. It's not just pop-culture it's affected. As I said, the entire special effects industry owes a huge debt to ILM, for one example.
Having said that, I'll say this (you're right on the money that this is an underlying sentiment not yet spoken on): I am one of those fans whom you probably hate, as I'm one who believes that once ANY art enters the public domain, it becomes the property of that culture. The ownership remains with the creator in a sense of acknowledgement and monetary recompense in its usage, but the culture consumes and embraces the art, where it then lives. I suppose an overly simple analogy would be someone cooking you a meal. You consume it. It nourishes and sustains you, it helps you grow, it gives you appreciation for food you may have never experienced before. Sure, the cook owns the recipe and make new dishes and no one has one damn right to say or demand anything else or more...but once given and eaten, that food is no longer theirs even though it's their creation. It has manifested itself into a greater whole. I would never argue that popularity entails ownership, because again, I don't necessarily equate popularity with impact and relevance. But I do think an argument can be made that when something holds such a drastic impact on a collective, it pulls its ownership into question at a certain point.
Art is a gift to others, and when an artist hands over their work to an audience, I fail to understand how they are not granting entitlement. They are saying explicitly, "You are entitled to now enjoy this and use it as you will to identify with, to grow with, to discover with" (sans commercialized exploitation, obviously). Lucas's actions with the Special Editions of Star Wars pisses me the **** off. Not because he wants to change them....it's his art, his creation. He has that right. What he doesn't have the right to do is attempt to replace the originals and strive to destroy them to extinction and remove them from the hands of so many to whom it has meant so much. Not just popularity-wise, but also relevant in respect to the impact to their lives. I do think Disney should release the OTs remastered, absolutely. Do I think they owe us that? I'm probably going to get some flack for this, but given what the OTs represent.....yes, I do.
This isn't to say that because Lucas or any artist gives us something, and that we love it so, we are entitled to more. Lucas doesn't owe us shit, nor does Disney past what they've already made. But they have NO right to take away what they've given or permanently alter it once it's out there. If that's entitlement, fuckin' A it is, but it's entitlement that's already been given to me. I love the OTs, they're a large part of my youth, and no arrogant egocentric creator has the right to say they can take that away predicated on the concept of ownership when that is only but a small part that constitutes the value of any art form out there once it has entered the public consciousness. It's like trying to rob me of part of my identity, while also trying to rob society.
You may find that to be overly sentimental hyperbolic nonsense and roll your eyes. But Star Wars means a lot to many, and a lot to society in its contributions as a whole. I'd like to respond on your point about society's obligation to accommodate art, but this has already gotten way too long...
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