Forum Posts Following Followers
25 1 1

*idjitlovers Blog

My Top 5 Favorite Vampires

Am a bit annoyed that vampires have gone mainstream, used to be a time when they're a sole cult favorite. Now, they're freaking everywhere.

Anyhoo, just for kicks, here's my top 5 favorite vampires:

1. Lestat de Lioncourt (from Anne Rice's novels The Vampire Chronicles)

Anne Rice has the best vampire mythology around, as far as am concerned. The Chronicles are rich in historical detail and filled with interesting personas. Lestat himself is quite a character: narcissistic, depressive and outrageous. Too bad the movie versions failed to capture his personality; Queen of the Damned in particular sucks. It's a shame that we'll likely never see Lestat again (the character was based on Anne Rice's husband Stan who passed away; Anne Rice has stated she wants to end that character's journey. The book Blood Canticle was a Lestat send-off.)

2. Nicholas Knight (from the Canadian TV show Forever Knight)

I hate Moonlight. (No offense to all Moonlight fans out there.) I honestly feel that Moonlight is a Forever Knight rip-off and nothing can beat the original. Geraint Wyn-Davies played his part of vampire-wanna-be-human detective to perfection, and supporting characters Lacroix and Shannette were adorably campy! Too bad this series jumped the shark in Season 3.

3. Sita/ Alisa Perne (from Christopher Pike's novels The Last Vampire Series)

Probably the first vampire novel I've ever read! Christopher Pike is the reason why I love the horror/ sci-fi genre; his books were a large part of me growing up. Like Anne Rice's novels, excellent mythology, and one so atypical as it takes you to ancient Sumer and makes use of Hindu mythology. This books are probably more appropriate to a younger audience but still, a classic.

4. Selene (from the Underworld movies)

All my friends hate the Underworld movies--- but I love it! Bill Nighy in particular is brilliant as Viktor. Okay, so the love story is cheesy, but the idea of three ancient vampires taking turns ruling the world is an interesting political system. That plus vamps vs werewolves battles? Awesome.

5. Wrath, Zsadist, Rhage, Thorment, Vishous and Phury (from J.R. Ward's The Black Dagger Brotherhood)

Okay, these books suffer from Ward's Mary Sue-ing and annoying habit of finding ways to make his mortal characters immortal, but you can't deny she made quite interesting characters. I love the idea of bulky, leather-clad 'gentlemen' warriors who listens to rap music. Overall, it's still worth reading this series for the fast-paced action and really snarky dialogue.

Those are my 5!

New vampires are now growing on me. In particular, Stephen Moyer's Bill Compton in HBO's True Blood/ Charlaine Harris' Sookie Stackhouse Mysteries is fast becoming a fav ( I like him better than Eric Northman).

There are quite a few more vampire movies I've watched and vampire books I've read, but I didn't take to them.

Didn't watch Twilight. I feel I'm too old for it, although who knows I might take a gander at it when I'm bored. Never gave Buffy and Angel a chance (irrational I know, sorry!) because the idea of vampire slayers annoy me.

Do you have any recommendations of other vamps I should check out?

Why does Dean Hate Chick-Flick Moments?

One of the things that I love about this show is how multi-dimensional the main characters are. As a psychologist, most of the individual and family dynamics featured in the show make a lot of sense to me. Sam and Dean feel very real and easily relatable. And their characterization isn't static; as the seasons progress, we've seen them grow and evolve.

Dean is special to me. I just adore Dean. From the pilot I've adored Dean.

At first it's cause he's incredibly funny in an outlandish kind of way. When he told Sam "no chick flick moments" I remember telling myself "I like this guy!" And the whole b!tch-jerk thing was hilarious, specially since I know people who just enjoy that kind of humor. As I like to say, Dean had me at 'b!tch'.

But very early on the producers showed us that there is more to Dean's happy-go-lucky nature than meets the eye. Two episodes after the series pilot and we have Dead In The Water. I think this eppy reveals a lot about how Dean became the man he is. Even Jensen himself said that this script gave him a better grasp of the elder Winchester's personality.

Here we see our first glimpse of how well Dean works with children. In an attempt to encourage the traumatized boy Lucas to talk, Dean shared a little about himself. He revealed how as a little boy he saw something bad happen to his mother and how what he had witnessed scared him. He also shared how he copes: he knew his mom would have wanted him to be brave and so he tries to be brave everyday.

That sounded so functional and so strong at first look. But my heart just broke for Dean. I found it really bittersweet. See for me it just emphasized how emotionally unavailable John had been when Dean was growing up. A little kid shouldn't have had to tell himself that he had to be brave---his family should be telling him that it's alright to be scared and that they are there for him. My guess is that Dean had to suppress fear several times--- forced himself to cheer up on account of Mom's memory--- cause there's no one else to rely on.

Which explains so many things. It explains why Dean hates emotional moments; he was never allowed be vulnerable as a child. Nobody has told him that it's okay to feel the way he did. It explains why he is easily pleased, why fast women and beer can already make him 'happy.' Dean's coping is to be brave, paste a smile and plow through despite what he wants or feels. This is the best it will ever be. It is only later in Croatoan when we found out how tired Dean really is of the vagabond hunter's life.

Interestingly I think this childhood also explains why Dean has idealized Mary. I love Mary's character, specially after the reveal in In The Beginning, but I've always thought that Dean is overly attached to a mother he likely doesn't remember too well (how vivid can a 4 year old's memory be?).

But even in fantasy (What Is and What Should Never Be) Dean clings to Mary as a symbol of the life he lost. The little boy he once was must have come to the conclusion that his life wouldn't have been that screwed up had Mary been still alive. His mother represents for him the family he could have had, at least the anti-thesis to John's obsessive behavior.

Mary is safety; he'll only allow himself to be real with her. He wouldn't have to hide anything to Mom. And if there's something Dean consistently does across the seasons its repress what he feels.

It took him so long to admit how messed up he was when John died. Also, Dean had to be 'obi wan-ed' by Andy before he admitted that Sam's psychic abilities scared the crap out of him. And it took him so long to concede that he really did not want to die and go to hell after all.

Dean's lack of freedom to look at his feelings growing up is aggravated by how he never had developed an identity that is his own, thus validating his right to feel and think for himself. This was illustrated so well by the 'mano-a-mano' dialogue in Dream A Little Dream of Me where Dean argued with his alter ego in his dreams.

His own unconscious taunted him: "Do you even have an original thought?" Translation: Do you know who you are and what you want for yourself? Apparently not, His whole being had been wrapped around just two things: obedience to John and protecting Sam.

This was seen explicitly in his speech at Sam's deathbed in All Hell Breaks Loose Part 2.

Here we see how his deal to save Sam is not entirely selfless and borne out of love. It's actually pretty selfish. Sam can't die because he wouldn't be able to live with himself otherwise. Protecting Sam was his job, the only reason he mattered to John (at least to his mind), the only reason why his life meant something, and he can't fail.

"I just wanted you to be a kid, just for a little while longer." This simple sentence, delivered by Jensen Ackles with such power, reveals so much about the tight control that Dean has over his emotions---even as a child. He doesn't want Sam to experience the pain that he's had, and will go to all lengths to make sure he creates this illusion of normalcy for his little brother.

Jeremy Carver captured this in what is my most favorite brotherly moment in the show. In a flashback to the Christmases the boys had growing up (A Very Supernatural Christmas), we have Dean stealing the neighbor's presents and pretending straight-faced that their absent father actually came by for to visit. He stuck with the lie even when he's so obviously busted--- the gifts were a Barbie and a baton--and he just tries to cover his lies by mercilessly teasing his brother, an act which the smart Sam didn't buy. But the forced happiness is there again--- for his brother.

I think the blind obedience and the hero-worship to John has a lot to do with Dean preserving his fragile self-esteem. The bitter reality that his consciousness wouldn't accept is that John loved the hunt more than his kids. It's vengeance first before family.

We know he recognized this when his dream self taunted him "You were a good soldier and nothing else---Daddy's blunt little instrument. Your own father didn't care whether you live or die, why should you?"; to which he replied 30 years belatedly: "My father was an obsessive bastard. All those things he dumped on me...those were his crap. He's the one who couldn't protect his family." This is one of the greatest turning point in Dean's personality, and likely critical to his slowly building self-worth in Season 4.

Easily if asked to evaluate who is the more emotionally stable between Sam and Dean, the answer would be Sam (though not by a mile). Sam had developed enough sense of self to separate himself from John early on. He knew he wanted a normal and safe life and he left for college to pursue it. In fact, if Dean's modus operandi was to fake-it-till-you-make-it, Sam's mode of coping is to find a way to change the situation.

We saw this difference in how the boys reacted to their loved one making a deal for their life. Dean's reaction is focused on his unworth. When asked by Bobby why he made a deal for Sam, he recalled John's deal for his life: "I'm not even supposed to be here. At least this way my life can mean something." Bobby answered on target: "Are you that screwed in the head? Do you have that little an opinion of yourself?"

Sam is more action-oriented. After confirmation that Dean indeed had sold his soul for his life, he said "I'm gonna get you out of it." Sam may have been tortured by his brother's decision but it's because he loves Dean and can't stand to live life with his brother in the pit. But it never occured to Sam that he is not worth it.

Actually if anything Sam is determined to be worth something, as illustrated by his earnest desire to make something of his curse. And Sam can really be emotionally honest. It didn't take him long to admit to Dean that he is not alright after John's death. And he did come clean with Dean about Ruby relatively fast enough.

And so while I don't like Heaven and Hell as much as the other season 4 episodes thus far, I appreciate one thing about it. Dean opened up emotionally faster than he used to. Maybe chick-flick moments are growing on him. I think you have Anna to thank for that. For the first Dean has someone who knew the worst about him and accepted and forgiven him anyway. If anything this unconditional support, plus the thought of God Himself ordering that he be pulled out of hell, should help him navigate through his post-hotbox PTSD that is sure to come when the season resumes.

Angels Introduced in the Supernatural Universe

Supernatural's Season 4 premiere "Lazarus Rising" delivered a big shocker to the SN fandom. Not that our boy Dean Winchester rose from the dead---the title pretty much gave that one away--- but that Dean was rescued by no less than an Angel of the Lord. In a show that steered clear of the supernatural good for three whole years, the sudden presence of heavenly beings burst open doors previously unexplored in the show's mythology.

But the gamble paid off; this fresh direction made Supernatural stronger than ever. I'm at the edge of my seat and definitely in love with Castiel whom by now everyone irreverently calls Cas. I think I've re-watched the final scene of Lazarus Rising where this angel made an entrance close to a 100 times already. It's an amazing scene; Kim Manners shot the hell out of it, Jensen Ackles and Misha Collins portrayed their parts brilliantly, and Eric Kripke did himself proud with the dialogue. It's an SN scene that would go down in history as one of the best SN scenes ever.

Browsing through message boards, I found that some people are initially wary of this plot development. They didn't want the show to be religious or Judeo-Christian. Some were weirded out that God was suddenly in the picture. As for me, I am weirded out that people were actually weirded out.

I don't know if it's because I am a theist, but I've always seen God in the show. As early as Season 1's third episode Phantom Traveler, we already have a hint of a higher being in the SN landscape. The boys had been trying to figure out which of a flight's passengers is possessed by a demon and Sam-the-walking-encyclopedia-of-weirdness gave Dean this advice: "If he's possessed, he will flinch at the name of the Lord."

Interestingly, Sam furthered the advice by saying "Say it in Latin: Christos." I remembered watching that part and going "Huh. That's at least Christian tradition right there." But I ignored it as I don't want to make too much of a Christian reference in a show that had as much pagan lore as Judeo-Christian ones.

And then there's the exorcism rituals, the rosaries and the holy water. Those stuff gets their mojo somewhere, right? How can you say that a God does not exist in the SN universe when something obviously is sending those demons back to hell. The only missing element to make the practices Catholic is the faith. For us Catholics, these things are sacramentals. This means that they don't have power on their own, their efficacy depends on the faith of the people who use them. But as at least Dean used to not believe in God, we have to assume that in the show's canon they work regardless of who wields them.

I suppose I have a personal investment why I am open to God and Angels in the show. After watching Houses of the Holy where we were left with an open question as to the existence of angels and God, and What Is and What Should Never Be where it was reiterated that Mary Winchester used to tell her kids that angels are watching over them, I've grown attached to the idea that Mary is an angel or at least connected to them. I still subscribe to that link even after "In the Beginning" where it was revealed that Mary is a human hunter. We'll see if my theory is proven correct in the coming episodes.

But the angel's entrance to the show gave us so many things to look forward to:

First, it contextualized the war.

What really annoyed me in Season 3 was this huge talk of war and how Sam is supposed to lead a big demon army. While we love our Winchesters and we see them as heroes, it's a bit too much to swallow that they would be at the forefront of such a big event. A war that has existed from the beginning of time and involving the fate of all of creation will not be fought by two hunters from Kansas. The 'caught-in-the-crossfire' approach is much more believable. Bringing the angels in is like panning out the camera and giving us a glimpse of the bigger picture. Which makes it scarier.

Second, it added a new power tension in the dynamics between the characters.

Eversince Papa Winchester left, I have never seen another character that had been allowed to sass Dean back. Bobby tries but we all know that Bobby is a softie under that trucker cap. Ellen slaps Dean's irreverence back but we had the sense that Dean is not really that afraid of Ellen---and why should he be? Ruby talked down to the boys in Jus In Bello but that's a one-time thing.

But Cas, well, Cas totally owns Dean. Next to "I'm the one who gripped you tight and raised you from perdition" I would say that next best lines Cas has uttered is "You should show me some respect." Another SN scene that would go down the books. Please, please Sera Gamble if you are reading this, write more Cas scenes like those!

It's an interesting tension. For one, Cas and Uriel seems powerful enough to quash Sam and Dean if they so decide they want to. That's pretty scary. It means that while the boys have to stick to doing what they think is right even if it means opposing the angels; they can't p!ss them off too much that they would end up (smote? smited?) toast.

On another level I think part of Dean also wants to see Cas as a savior, a proof that he matters to the man upstairs after all. If Cas is ambivalent, or worse evil, that might shatter Dean's fragile newfound faith. So far it hasn't happened; Dean had surprisingly defended believing in God to Sam in The Great Pumpkin Sam Winchester. Part of me wish that John would join the mix now, cause I want to see how John would react to Cas, and to Dean's reaction to Cas.

Third, it makes a great mytharc. God commanded Dean Winchester to be rescued from hell. Man, that's huge. He must be pretty significant. There must be tons of good hunters living and dead to choose from to help in battle but God handpicked Dean. Am excited to know why although that might be awhile. I read somewhere in a Robert Singer interview that this secret will only be revealed in the season 4 finale.

And last, I salute the entrance of the angels on the show because it is just logical. You can't have demons and Lucifer and presume that God and angels are absent. It just took the show to its rightful conclusion. Besides, I would have hated it if after four years they would still subscribe to their old formula. A show has to grow and and evolve and assume higher things.

Anyway, am loving this season so far. Great, great work.

Hope to write more articles soon!