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The core moviemaking process itself can be pretty dense. First, you'll need a screenplay, which means you can choose to write your own (more on that later), or you can hire a staff of screenwriters to do the heavy lifting for you. Even with the latter hands-off approach, you'll still have to determine the genre of your film, with the given choices of action, comedy, romance, sci-fi, and horror. Different genres have greater general interest in different eras, so even if the film itself is good, the wrong genre at the wrong time could spell box-office disaster. Once you have your screenplay in hand, it's time for casting. The size of your cast and crew will grow over time as you produce bigger, more-sophisticated movies. But in the end, you're always going to need a director, some actors, a movie crew, and, usually, a handful of extras. Who you choose to fill these roles will ultimately affect your end product. How experienced is your crew? What sort of mood is your talent in? Do the director and the lead actor get along well? Though it can make the process of casting your movies quite maddening, it's actually rather impressive to realize the minute details that can have an impact.
You don't have much control once shooting commences, though that doesn't mean you shouldn't keep a watchful eye over the production. Though most of your employees are basically just automatons doing the job assigned to them, actors and directors are much more complicated, emotional creatures, requiring significant quantities of your attention. Their true characters will often be revealed under the duress of filming, informed by a dozen or so different stats unique to each person. Most of your problems basically come down to stress--and how your talent deals with it. A stressed-out actor or director won't turn in a very good performance, and he or she will often turn to food and drink for comfort. This is tolerable in moderation, but some people have a greater proclivity toward vice than others, which, if left unchecked, can bring a production to a screeching halt. In turn, this can send the cost of your production through the roof as you send the person to your own private in-studio rehab center.