Before you ask, yes. I put this up because of that other guys Ezzio sketch. I just wanna see how people like my art as well.
http://breedlajovie.deviantart.com/art/jack-in-the-box-189557269
This topic is locked from further discussion.
Before you ask, yes. I put this up because of that other guys Ezzio sketch. I just wanna see how people like my art as well.
http://breedlajovie.deviantart.com/art/jack-in-the-box-189557269
Anyone can learn to draw, not everyone can create a masterpiece.Practice makes perfect. Nobody can pick up a pencil and make masterpieces right away.
metroidfood
[QUOTE="metroidfood"]Anyone can learn to draw, not everyone can create a masterpiece. anyone can create a masterpiece... even a goddamn monkey, true storyPractice makes perfect. Nobody can pick up a pencil and make masterpieces right away.
Crunchy_Nuts
I give your portfolio of sorts a 1/10.
I think your other "drawings" are unfinished, unpolished, and not interesting to look at. You need to spend more time on your work and use references for things that you do not know how to draw. If you can do that and sit down for extended periods of time practicing and experimenting with new techniques, you will get better. In fact, don't just "spend more time on" your work-- you really have to dedicate yourself to what you're doing if you wish to improve your drawing skills.
Don't know where to start?
Just draw stuff around your house. Just pick out random objects and really take the time and sit down and render the **** out of them. As you keep working you will teach yourself to not just draw what you see, but understand how things are constructed. A big part of learning how to draw is understanding how things are constructed.
I put this up because of that other guys Ezzio sketch
DmadFearmonger
well its surely interesting, I go on DA as well, you don't mind another Watcher+?blangenakkerYeah man, I'm cool with you watching.
[QUOTE="blangenakker"]well its surely interesting, I go on DA as well, you don't mind another Watcher+?DmadFearmongerYeah man, I'm cool with you watching. alright then, my name is Generune
I'd like to thank both positive and negative feedback alike for being honest. As I type this I have begun work on a new illustration. This one will be my attempt at using the negative feedack and pointers to my advantage. Hopefully soon I will have fixed all faults with my art. "Anyone think I can draw well v2" will be up soon and we can see how I'm going.
Sorry, not much of a fan. I'm not really judging on your idea, just the artist components. It is actually kinda in violations of a few artist rules. Improper use of rule of thirds (Looks too 2Dish, I cant tell what is in front, middle, and where the background is), lake of shading creating no values or good contrast, bad use of space (too much empty space) and positioning of subject (never put subject in middle of paper), bad angling of box, needs more lines to draw your attention to subject, and the first thing I noticed was the subject is pointing in a negative direction (Downward, not upward. In advertising you'll notice how they are usually pointing in a positive upward movement. y=x on a graph instaid of y=-x, if that makes more sense. Bad movement tends to make the viewers eyes drop off the painting, and loose interest) I'm an artist, and I usually focus on drawings, and I occasionally do oil painting. GTA_dude
Yeah...I don't like the stuff either, but you're like, reading off a checklist of "rules". On some of those things, you've explained why the PICTURE doesn't work. But on others, you're just sort of talking about the fact that he broke a "rule" in the first place.
It's okay to violate the "rule of thirds"...if it results in a better drawing. Following the "rule of thirds" is a bad idea when it results in a WORSE drawing.
A lot of empty space can be very good...when it works for the drawing. Minimizing empty space is bad if it HURTS the drawing.
Center-positioned subjects work when they work. They don't work when they don't work.
You know, that kind of stuff. All I'm saying is...those kinds of "rules" don't really provide any perspective into WHY a drawing/painting/photograph works or doesn't work. By presenting it as "this sucks because you didn't follow that rule", you're (albeit certainly unintentionally) coming WAY to close to saying that he MUST follow the "rules", and that following the "rules" makes for better art.
And...that's not the case.
The number 1 thing he needs to work on is technical proficiency. Use of the tools, be it a camera, a paintbrush, or pencil and charcoal. He needs to start with that, being able to actually better use the tools of the medium.
Once he's at a certain level in that aspect and then starts focusing on composition, then he doesn't need to follow "rules". He needs to THINK, and to do RESEARCH, and to learn WHY something is working or isn't working. Blindly following the rules is guaranteed to lead to consistently bad art. Because once you're following rules BECAUSE they are rules, that's the second that most people stop THINKING about what they're doing. They simply get into the habit of following "the rules", and then keep on doing that even when following "the rules" doesn't work for that piece.
But I don't think he's there yet. He first needs to get better at working with the tools of the craft. At that point, the hell with composition. He needs to start with the basics, which is simply getting better at using the tools. Once he's gotten some improvement with that, THEN he needs to start thinking about composition and framing. But once he's at that point, he'd do well to avoid stuff like "the rule of thirds" entirely. Subjects don't need to be placed anywhere other than where they need to be. At that point, research helps. It helps for him to identify drawings that he likes, drawings that he hates, and it helps for him to identify WHY he likes or hates them, instead of just following rules for the sake of following rules.
Please Log In to post.
Log in to comment