Ivan Padovec, his Poloneza is awesome, I learend to play it on my guitar, it sounds like an older version of He's a Pirate, composed by Hans Zimmer, Padovec composed it in 1843, he also invented a 10 strings guitar.
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[QUOTE="bruinfan617"]Oh yes. You are so very right. Have you heard the recording of Leonard Bernstein conducting the second poem?Smetana
I have no idea if he's popular or not, but Ma vlast is incredible. Especially the second poem, Vltava,
PannicAtack
Bedrich Smetana is pretty much a national treasure back in my home country Czech Republic. Like to the point where even the most uneducated person would know him.
[QUOTE="muller39"]If you have seen Shutter Island you would of heard this song. http://www.youtube.com/watch?v=8rluU6BGpKw It's one of my favourites of his.pianist
I've never heard of that fellow. Do you know when he wrote the piece? It bears a strong resemblance to this work by Hans Zimmer. You hear the primary melodic motive in the strings.
ahh thread, i heart you so.
*watches my favourites list approach the 650 cap*
Yes, YES!That'd be the fellow in my avatar - Johannes Brahms. But there are many composers that I deeply respect in this field, obviously.
pianist
Oh yes. You are so very right. Have you heard the recording of Leonard Bernstein conducting the second poem?[QUOTE="PannicAtack"][QUOTE="bruinfan617"]
Smetana
I have no idea if he's popular or not, but Ma vlast is incredible. Especially the second poem, Vltava,
Nifty_Shark
Bedrich Smetana is pretty much a national treasure back in my home country Czech Republic. Like to the point where even the most uneducated person would know him.
Wouldn't surprise me. He and Dvorak define Czech music.If you have seen Shutter Island you would of heard this song. http://www.youtube.com/watch?v=8rluU6BGpKw It's one of my favourites of his.muller39That is simply just haunting, beautiful and depressing at the same time
I don't really have a single favorite, but I've been listening to Bartok recently, so I'll say him for now. Here are some pieces that he wrote....
Link
Link
Speaking of VGM, Jeremy Soule's soundtracks to Morrowind and Oblivion, as well as Total Annihilation, are stunning, and in fact some of the best music I've ever listened to.I don't know how popular the Guild Wars composer is, but he is pretty good.
SupaKoopaTroopa
There's quite a few I like, although I have to admit my knowledge of CIassical music is very limited, because the genre is so massive and complex that going really in-depth with even a single composer is a really daunting prospect.
I don't really have a single favorite, but I've been listening to Bartok recently, so I'll say him for now. Here are some pieces that he wrote....
Link
Link
JonnyEagle
I love Bartok's "folk" music, it's fatastic. I recently listened to this piece in my composition cIass and my jaw literally dropped. The rest of his work, unfortunately, I don't really enjoy very much; I'm more of a Romanticism kind of guy, I still can't get into 20th century CIassical music. :(
[QUOTE="SupaKoopaTroopa"]Speaking of VGM, Jeremy Soule's soundtracks to Morrowind and Oblivion, as well as Total Annihilation, are stunning, and in fact some of the best music I've ever listened to. Lol, funnily enough Jeremy Soule wrote the Guild Wars soundtrack too. It's great to see such talent in today's world of commercial pop.I don't know how popular the Guild Wars composer is, but he is pretty good.
kdawg88
I've listened to a decent amount of classical music, and i have found that almost no classical music is good other than movie music and a few random exceptions. There is no intensity, no story, and no memorable melodies in most classical music. So my vote goes to John Williams.
*sigh* The fact that you rank John Williams over Beethoven says all that needs to be said about how much you understand music.I've listened to a decent amount of classical music, and i have found that almost no classical music is good other than movie music and a few random exceptions. There is no intensity, no story, and no memorable melodies in most classical music. So my vote goes to John Williams.
hoola
I've listened to a decent amount of classical music, and i have found that almost no classical music is good other than movie music and a few random exceptions. There is no intensity, no story, and no memorable melodies in most classical music. So my vote goes to John Williams.
hoola
Intensity
Story
Melody
[QUOTE="hoola"]
I've listened to a decent amount of classical music, and i have found that almost no classical music is good other than movie music and a few random exceptions. There is no intensity, no story, and no memorable melodies in most classical music. So my vote goes to John Williams.
Lonelynight
Intensity
Story
Melody
I'd disagree about Wagner. That guy was a terrible dramatist. You want a composer who can tell a compelling story, look at Verdi, Puccini, Mussorgsky, Mozart, or Menotti.Wagner is, however, extraordinarily intense, and his music is astoundingly powerful, even if he can't write librettos worth crap.
Other than that, I completely agree. If you say there's "no intensity, no story, and no memorable melodies in most ****cal music," then you don't know ****cal music.
[QUOTE="Lonelynight"][QUOTE="hoola"]
I've listened to a decent amount of classical music, and i have found that almost no classical music is good other than movie music and a few random exceptions. There is no intensity, no story, and no memorable melodies in most classical music. So my vote goes to John Williams.
PannicAtack
Intensity
Story
Melody
I'd disagree about Wagner. That guy was a terrible dramatist. You want a composer who can tell a compelling story, look at Verdi, Puccini, Mussorgsky, Mozart, or Menotti. Other than that, I completely agree. If you say there's "no intensity, no story, and no memorable melodies in most classical music," then you don't know classical music.'Wagner has some great moments, and some very boring half-hours' says it best, I think[QUOTE="PannicAtack"][QUOTE="Lonelynight"]I'd disagree about Wagner. That guy was a terrible dramatist. You want a composer who can tell a compelling story, look at Verdi, Puccini, Mussorgsky, Mozart, or Menotti. Other than that, I completely agree. If you say there's "no intensity, no story, and no memorable melodies in most classical music," then you don't know classical music.'Wagner has some great moments, and some very boring half-hours' says it best, I think Yep. Mr. Rossini. Though I must admit, the part where Siegfried blows his horn after shattering Wotan's spear is astoundingly awesome.Intensity
Story
Melody
LiedVonDerErde
Here are several examples I think illustrate my point.
http://www.youtube.com/watch?v=e4x_mXNJ-3w
http://www.youtube.com/watch?v=t2yrDWEoCpc
http://www.youtube.com/watch?v=HPteIR4Qaog
http://www.youtube.com/watch?v=X3scGj809zk
http://www.youtube.com/watch?v=1trE3ms3AGo
http://www.youtube.com/watch?v=Mta3-sGMi5Q
http://www.youtube.com/watch?v=a0juO-brZ_I(okay, maybe not melody so much in that one)
'Wagner has some great moments, and some very boring half-hours' says it best, I think Yep. Mr. Rossini. Though I must admit, the part where Siegfried blows his horn after shattering Wotan's spear is astoundingly awesome.If I were a high-enough level to post a picture of Freud, I would[QUOTE="LiedVonDerErde"][QUOTE="PannicAtack"] I'd disagree about Wagner. That guy was a terrible dramatist. You want a composer who can tell a compelling story, look at Verdi, Puccini, Mussorgsky, Mozart, or Menotti. Other than that, I completely agree. If you say there's "no intensity, no story, and no memorable melodies in most classical music," then you don't know classical music.PannicAtack
[QUOTE="PannicAtack"]Yep. Mr. Rossini. Though I must admit, the part where Siegfried blows his horn after shattering Wotan's spear is astoundingly awesome.If I were a high-enough level to post a picture of Freud, I would Subtle, Wagner was not. The next scene was even more blatant. >_>[QUOTE="LiedVonDerErde"]'Wagner has some great moments, and some very boring half-hours' says it best, I thinkLiedVonDerErde
I've listened to a decent amount of classical music, and i have found that almost no classical music is good other than movie music and a few random exceptions. There is no intensity, no story, and no memorable melodies in most classical music. So my vote goes to John Williams.
hoola
The thing is that cIassical music doesn't land in your lap. It's not immediately accessible in the way that popular music is, and you have to dig deeper into it to recognize just how incredible it is as an art form. Want intensity? Try this. Or this. Or this. Want memorable melody? Ever heard this before? Or this? Or maybe this? This? This? You may not like them... doesn't matter. To argue they aren't memorable is to deny reality. Even people who know nothing at all about cIassical music have heard and remember these melodies. Needless to say there are countless others I could list, but why bother? I think you know the truth.
As for BEAUTIFUL melodies, cIassical has that covered too. Give me this or this or this any day over the motivically repetitive, metrically rigid, bar-line inhibited melodies you so often find in popular music. Well-written cIassical melodies go somewhere, evolving and developing. And no story? Ironically, cIassical is the only music I know that actually does present a story with form. No words required. But if you don't understand form, obviously you won't be able to take part in the musical journey. And since opera and program music also fall under the cIassical umbrella, the suggestion that there is no story in cIassical music is instantly rendered false.
Frankly, I don't really care if you enjoy the music or not, but let's not go making patently false and easily refutable claims about it.
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