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Bozanimal

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#1 Bozanimal
Member since 2003 • 2500 Posts
Maybe if the room is cinema sized, it doesn't make any sense in an ordinary sized room.kraken2109
WHAT? MOAR SPEAKERS = BETTER 22.2 SPEAKERS = MIND BLOAN Happy gaming, Boz
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#2 Bozanimal
Member since 2003 • 2500 Posts
I know this is an old thread, but if you're still looking for a travel headphone and love the DT770's, you might consider the V-Moda M80's, which have a very similar sound. I used them for a month and loved them, but really wanted an over-ear for daily listening. Still highly, highly recommended if you love the DT770s but need portability. Boz
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#3 Bozanimal
Member since 2003 • 2500 Posts

Why are you all suggesting big heavy headphones when he said he didn't want big heavy headphones??

Is something like the Bowers & Wilkins P5 better?

Mozelleple112
It's not that they're light or heavy, it's that they put pressure on his sensitive ears, which I can relate to and was one of my primary issues when searching far and wide for my own headphones. I've used the P5 at length and I personally do not like them for both comfort and sound quality issues, so I did not recommend them. The Audio Technica ATH-AD700 is very light and comfortable, and probably the ideal headphone for his situation unless the bass output is a concern, in which case I suggested alternatives I had found comfortable. Outside that he might consider an IEM like the Klipsch Image S4i. Happy gaming, Boz
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#4 Bozanimal
Member since 2003 • 2500 Posts
That's just it: It has to be encoded somewhere. For movies the surround sound information is mixed and encoded in the studio before being written to disc and distributed to the public. I was under the impression that the receiver always has to decode, even if it's an uncompressed PCM signal. So my question was, if there is no sound card or on-board audio solution to process and encode that information, it must be done at the CPU level and passed on via PCM to the receiver via HDMI. Otherwise a sound card would be required to encode two-channel audio into a compatible format via Dolby Live or DTS Connect. Any or all of this may be incorrect, but I think NamelessPlayer will know the answer. Happy gaming, Boz
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#5 Bozanimal
Member since 2003 • 2500 Posts

Hey there, Slipknot0129,

I, too, have a fat head. I mean really big, and I wear glasses. I ran into the same issues about which you're concerned.

The most comfortable pair of headphones for your head are going to be the Audio Technica ATH-AD700 (~$90). They are super-comfortable for people with big heads and excellent for gaming due to their open-back design. The most common complaint is that it feels like it's going to fall off, but that's for pinheads, not people like you or I! They are highly regarded in their price range by both headphone enthusiasts and amateurs alike, so buy with confidence. However, they do lack in the bass department, a downside of the open-back design.

If you want a super-comfy closed-back headphone and you've got a big head, the price jumps a bit for the Beyerdynamic DT770 (~$180). Super, super comfortable and bass-heavy without sacrificing quality, but not quite as good for first-personal shooters due to the closed-back design. Now, if both of these are outside your budget, you might consider the JVC HARX-700 (~$35), which I use on a daily basis. They're comfortable with quite a bit of bass punch.

Then you just need any number of clip-on or desktop mics and you're good to go. Go ahead and take a look through the Headphone FAQ at the top of these forums for additional suggestions, or visit this thread on Head-Fi for some additional suggestions.

Happy gaming,

Boz

*Edited to fix links*

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#6 Bozanimal
Member since 2003 • 2500 Posts
If your budget is that tight you I would suggest you just wait. Use the speakers in your television and save up for awhile until you can at least afford a half-decent HTIB (Home Theater in a Box), which generally starts around $500 USD for a decent, entry-level system. Most anything less than that is going to be mediocre in quality, both from an audio and reliability standpoint. Happy gaming, Boz
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#7 Bozanimal
Member since 2003 • 2500 Posts
Games output in PCM which has nothing to do with any codecs, it's just raw audio. If you can transfer PCM then you don't need compression codecs like dolby.kraken2109
That I understand, but you can have a mono or stereo PCM signal, so my question was more at what stage of the process is the original audio being encoded with its surround sound information. Are games encoding Dolby Digital before sending on the signal as PCM? I imagine it would have to be this way or the receiver would have nothing to decode. I should probably know this, but it's surprisingly difficult to find this information laid out explicitly. Happy gaming, Boz
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#8 Bozanimal
Member since 2003 • 2500 Posts
The DIY route suggested by NVIDIATI is the best value for your dollar, but requires some work on your part to hook everything up. The Klipsch Promedia 2.1 are an easy solution that includes what you need and sounds great (finally got to audition them recently). I actually used the HK speakers for awhile, and they're good. Not amazing, but good. I personally prefer the sound of the Klipsch, which uses a dedicated woofer and tweeter in a more traditional enclosure to the multiple full-range drivers used by the HK. Good luck, Boz
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#10 Bozanimal
Member since 2003 • 2500 Posts
Correct me if I'm wrong, Nameless, but isn't that only the case for games that natively provide 5.1 or 7.1 encoding? If you wanted Digital surround from games that didn't have the Dolby middleware in their code, you'd need DDL or DTC Connect, right? Happy gaming, Boz