As you may have surmised, this is a follow up to an earlier entry where i made mention of several bright spots of the Russo era. So without further ado, in order:
1. "Positively" Kanyon - As one dimensional as the character may have been, it made for great television. No, it may not have made a mite of sense for Kanyon to join the New Blood and team up with Mike Awesome, right after the guy almost killed his career (another great gimmick that i'll touch upon later in this entry). No, it may not have made the slightest bit of sense for him to just all of sudden decide to assume DDP's identity. But the way Kanyon portrayed DDP so hilariously, and yet so well, made him become one of the best things going for the show, amidst all the inanities. Kanyon himself was always an underrated performer, so it was nice to see him get a little spotlight, even if it was short lived. As we all know, he would be handed another great gimmick upon his arrival in the WWE (who betta?), which, of course, would be scrapped just as it was starting to get over.
2. 3 Count - Say what you will, but this gimmick was absolute genius, IMO. They were heels any male could genuinely hate, since boy bands were still popular back then and frowned upon just as much as ever by the male demographic. The 3 men were also very talented. I never cared much for Karagias, and was actually kinda glad when he left, since his absence brought about one of the best tag teams in WCW's short lived CW tag division during its last days. Their feud and matches with the Jung Dragons were more often than not the saving grace of any card during that period. The way Bobby and Tenay would hype them up and debate over their talent was great. And who could forget their buddy system and frequent serenades with Tank?
3. The concept of the Millionare's Club vs. The New Blood angle - As the title suggests, this angle had the potential to pump some life into a company that was dying quicker than a beached whale. It still may not have saved the company in the end, but it definitely could've popped the ratings for a few months. Ok, so you have guys like Vampiro, Kidman, Mike Awesome, Shane Douglas, and even Sean Stasiak who finally have the opportunity to step it up in one corner. In the other you have a slew of washed up has-beens, and in some cases never-were-beens, who look as if they desperately need to hit the nursing home, but not before elevating some of the younger guys. Hell, that's what the underlying point of the angle was supposed to be, right? So, skipping all the easily predictable negative stuff, alot of the feuds were very interesting, including the Sting/Vampiro and Douglas/Flair (which, as many already know, stemmed from real life tension between the two). The latter ended up having a great match at Slamboree, which i just watched again a few weeks ago for the second time.
4. Ric vs. David vs. Russo - Again, skating around the fact that the angle made Ric Flair look ridiculous most of the time, the Foley-esque emotion that oozed out of this feud was very thick. Russo and Flair had a good chemistry on the mic together. Despite having a total waste of oxygen like David involved, Ric managed to carry the angle very well by himself. David putting the figure four on Reed was gold.
5. Oklahoma - Ok, first things first - the gimmick was stupid, offensive, and pointless. I'm not even going to touch that argument. Making fun of J.R.'s Bell's palsy was messed up, but come on, admit it - you chuckle even at the slightest every time you hear Ferrara scream "JUVI!" or "PINATA!" You know you do.
6. "The career killer" Mike Awesome - Some were saying Awesome might've been the saving grace WCW was waiting for when he first came in. While i'm not sure if i entirely agree with that, he certainly could've been a key figure. His inaugural "career killer" gimmick, though somewhat cliche, was very good. Awesome was very convincing, and played his role well. Then, the WCW braintrust decides to turn him face. If that wasn't bad enough, he would then later proceed to become a fat chick suitor who would make several advances on Judy Bagwell, and a disco stu-esque "70's guy." Ironically, it was Mike's career that ended up being killed.
7. Vince Russo - As much as i've bashed the hell out of him, i'd be lying if i said he wasn't an interesting on screen character.
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I was watching Unforgiven 2000 last night, and came upon a gimmick i had long forgotten - the RTC. It's quite a shame how extremely misused it was, since it was a great concept at heart. It was fresh and original in terms of garnering heel heat, and a perfect addition to the lower mid-card.
The problem was it should've been used to elevate fresh OVW talent. It made no sense at all when the Godfather and Val Venis joined. As soon as the Russo-esque shock rubbed off, the group and their antics became about as interesting as watching paint dry. Two OVW jobbers and Steven Richards feuding with Val Venis, The Godfather, and even Austin (if they pushed the angle off until around December of 00) for a couple of weeks would've made for a much more successful program. It would've killed two birds with one stone - not only disposing Val Venis and The Godfather, but MAKING IT INTERESTING at the same time.
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