Last night my wife and I watched Michael Bay's adaptation of Transformers. I was left wanting. My wife was disappointed that despite volume of stunts and special effects, the DVD didn't include any special features. I was let down that despite the volume of stunts and special effects, the movie had very little substance. Others have observed the power of Optimus Prime's character. Even though his looks have changed over time the integrity of the character remains intact. He is a noble, self-sacrificing leader who not only believes in his cause, but in the sanctity of life. He calls his most bitter opponents brother and treats those of significantly lesser power with respect and kindness. Regardless of what culture you come from, the archetype is recognizable.
More than 20 years ago, when the original Transformers series aired, I saw a very different American society. Some may say my reflection on the past was the naivety of youth or hindsight through rose-colored glasses, but our pop culture and art from those days bear witness to ideals that today may seem very foreign.
Earlier this evening we watched The Lady Vanishes, an Alfred Hitchcock film released in 1938. I couldn't help but feel amused by the reactions to situations of the day. Men stood when a lady got up from the table. A man walked into a room where a handful of women are holding an impromptu bachelorette party. He is uncomfortable by seeing them in casual clothes, particularly as one woman is standing on a dresser hanging decorations. Their knees are laid bare for him to see. Very adult situations of fidelity (or lack therof) are only inferenced in the interactions between two characters. Predictably enough those characters do not meet a particularly pleasant fate. While not as powerful of a reflection of the sinister side of humanity as other Hitchcock films, The Lady Vanishes provides an interesting narritive into the selfishness of people and the rationales by which they dismiss doing the right thing (or for those that want less judgment in an opinion piece, the decision to not withhold that which is good from whom it is due when it is in the power of your ability to make it happen) when it may be inconvenient. For someone to lose very little yet provide something great for another person who may be in peril, I wonder why those characters or those of us who can, don't do the right thing.
With The Lady Vanishes as a benchmark, I was curious to see what Eastern moorings Samurai Champloo had woven into its pop-culture confection. Yeah. Needless to say, growing up watching Battle of the Planets (aka Gatchaman), GI Joe, and Transformers, Samurai Champloo fell far from the tree of deep social reflection. It's use of grey-scale morals in a full-color animated series made me wonder where the integrity of the Samurai code had gone. I understand Samurai Champloo is intended to be an off-beat fusion of music, action, and satire set in feudal Japan. When the characters are wearing glasses patterned after modern spectacles, clues are given that this is a commentary on society as much as it is a springboard to help modern viewers relate to a day long gone. From what I know of Japan, the brothels of yesteryear are still operating and the Yakuza are still vying for financial and real estate control. Aside from telling a muddled tale of two irrationally opposed rivals married by a seeming damsel in distress, the show only made one impression: the creators think self-sacrifice and noble atonement for one's mistakes are a thing of the past and individuals should be beholden to nobody for the consequences of their misguided actions.
It seems that Transformers and Samurai Champloo have a lot in common: spectacle over substance.
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