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crucifine

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#1 crucifine
Member since 2003 • 4726 Posts
CAD. His characters are really lame, the jokes never change, any attempt at story he has ends up being just mediocre melodrama. It's like some kind of lame 90's sitcom with a video game theme.
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crucifine

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#2 crucifine
Member since 2003 • 4726 Posts
I agree with the TC here. Edward Norton is by no means a bad actor, but he very rarely pushes himself past a certain emotional level. He does not truly plunge himself into a role, he always leaves an impression of himself on a character. I've seen Fight Club, American History X, The Illusionist, what people consider to be his strongest movies. All of these were good movies I felt could have been made great with a different actor playing his part. I watched these movies, always faintly annoyed with his reluctance to dive in, but he does have a few moments where he really embodies his characters. He has the potential to be better, he's still young and can grow as an actor.
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crucifine

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#3 crucifine
Member since 2003 • 4726 Posts
Motocross Zombies From Hell.
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crucifine

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#4 crucifine
Member since 2003 • 4726 Posts
I like a good beer. Grolsch, Stella Artois, 60 Minute IPA, Blue Moon, etc.
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crucifine

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#5 crucifine
Member since 2003 • 4726 Posts
I don't like judgemental kids, myself. Or vague generalizations.
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crucifine

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#6 crucifine
Member since 2003 • 4726 Posts
Conan the Barbarian, Stalker, Werckmeister Harmonies, Yojimbo, Oldboy, Grave of the Fireflies, Wall-E, 8 1/2...I think that's it for now.
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crucifine

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#7 crucifine
Member since 2003 • 4726 Posts

1. There are still games that are made in people's free time though it is a very small amount of games

2. Audiosurf uses very simple graphics and that sold brilliantly, there's very little art work that's actually drawn in it

2.1 Audiossurf was tested with anyone, the price was quite low as the developer got his wife and family to play it then payed random people $20 to play it for an hour

3. STEAM will hold it on thier servers for you and there's no need for disks as it's all online and marketing as all users are notified of the product immediately and as long as there's a demo then someone will buy it

markop2003


Most of what I said applies to triple-A titles. Indie titles require less work and less testing, by default.

Audiosurf is a special case, however. Most indie games have more intricate artwork than Audiosurf did, and not every indie title will be able to get on Steam. If he can take a good gameplay concept, flesh it out without using any artwork (Audiosurf had a grand total of 2 actual graphics, the rest were a handful of models that he outsourced and basic shapes created in the code), and get it on Steam, then all power to him. But the likelihood of that happening is extremely low.

Basically, don't use Audiosurf as an example, the only similarly positioned game (not a lot of artwork, but still more than Audiosurf, limited testing, lots of people bought it) was the Geometry Wars games, and those already had the backing of a major developer. I would expect to spend at least 25,000 on making ANY indie title, even Audiosurf.




Addition: if you make a game at any school, you can't sell it, the school own's the IP for any games made for its classes.
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crucifine

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#8 crucifine
Member since 2003 • 4726 Posts

First, you need money to buy office space (unless you're all going to work from home), equipment (computers and EXPENSIVE sdks), etc. You can get this by approaching a publisher (if you're lucky) or a venture capital firm (more likely) with a decent prototype, probably with fleshed out graphics. If you can't get the moneyholders interested, forget about it.

Second, you need more money to pay for salaries and use of the office space and unforeseen obstacles. If you're going to license an engine, add at least 500,000 to that total.

Third, you may even have to outsource art or QA testing to other companies, that's more fees.

Fourth, when the game is done, if you can't secure a publisher, you have to pay for the disc manufacturing and packaging, plus certification and licensing fees for whatever console you're making it for (unless this is a PC title). If you're only selling digital copies, you still have to put up money for server hosting and bandwidth.


In other words, starting a company of more than 20 people is going to cost at least 2 million, if you're really careful with your money.

Check out gamasutra.com and gamesindustry.biz if you want to find out more.

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#9 crucifine
Member since 2003 • 4726 Posts
In fact, if you've heard Alan Moore do readings, he voices Rorschach in a gravelly, Batman-type voice.
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#10 crucifine
Member since 2003 • 4726 Posts

it depends what you're after.

Dawn of the Dead is by far the better ZOMBIE flick. It has shotguns, it has Ving Rhames, it has zombie babies, it has tons of brutal kills and ridiculous vehicles....it's a superb zombie flick that truly serves the zombie fan's appetites.

on the other hand, 28 Days Later is the better film, qualitatively. It's a zombie movie for film critics, or people who are not zombie fans. In fact, it's often not even a zombie flick. Outside of some defenses at the military outpost, this isn't the slayathon zombie fans expect. I mean, i think the main character kills one zombie the entire film and never fires a gun.

In other words, 28 days Later is better as a real, quality film. Dawn of the Dead 04 is much better at being zombie fan service. i love both movies, but they truly are very different.

Paladin_King


This basically sums it up. I'm an avid zombie movie watcher, and also a bit of film buff (and a Danny Boyle fan), so my call goes to 28 Days Later. But both were pretty excellent as far as I'm concerned.

As for 28 Weeks Later, don't get me started on that tripe. The soundtrack was godawful (if Nickelback did post-rock) because they gave the composer two weeks to come up with it, there were some kinda dumb plot devices, even for this kind of movie, and it ended up feeling like a scattered mess.